Dr. Seuss Capelet Pattern

This pattern is based on my Quickie Caplet pattern. As with that one, it holds multiple yarns together and uses big needles to make it a quick, fun knit. The one pictured above is the Long length. All versions have three “furry” rows, but in the medium length version, they are narrower and the collar is slightly shorter.

Why Dr. Seuss? Well, you can dress it up a bit by bunching it up over a frock and you might resemble Seuss’s character Foona-Lagoona Baboona. If you wear it poncho style over casual clothes or a jacket you’ll fall somewhere between the Dr. Seuss birds the Goo-Goo Goose or a Pelf.

Enjoy!

Downloadable pattern: 2017-dr-suess-caplet

Needles: a 32” circular needle–size 17.

Yarns: 2 skeins Red Heart Super Saver and 3 skeins Red Heart Fur Sure

Gauge: stockinette holding two strands of Red Heart super saver together 7 sts over 4 inches

Fuzzy rounds are created by holding one strand of Fur Sure together with one strand of Super Saver. Plain rounds are created by hold two strands of the Super Saver alone.

Pattern: Medium length (Long length)

Cast on 72 (88) stitches holding one strand fur yarn and one strand worsted plain yarn together. Join yarn to knit in the round, placing a marker.

Continue in the round using a K2P2 rib (all fuzzy rows are ribbed) for 6 (8) rows. Decrease one stitch at marker each row (on fuzzy rows only) to hide reductions.

Row 7 (9) drop Fur Sure and pick up another strand of smooth yarn (two smooth yarn strands held together. Knit in stockinette for 6 (8) more rounds even (do not decrease on smooth/stockinette rows to hide decreases).

Repeat rows 1-12 (1-16)

Row 13 (17) drop one strand of smooth yarn and pick up the furry strand. Rib for 6 (8 rows). Decrease one stitch at the marker each row.

Row 19 (25) Drop furry yarn and holding two smooth yarns together knit in K2P2 rib for 10 (14 rows). Do not reduce.

Row 29 (39) Cast off loosely

© Kristin Tolle. This pattern is freely available and without restriction to all would be capelet makers and Dr. Seuss lovers!

Where’d It Go? or Seller’s Remorse

My stash is prodigious. It’s mine and my grandmothers with a few of my friends’ grandmothers thrown in. There was a time, in the not too distant past, that knitting was a dying art. So when people saw me knitting, I would get given all the spare yarn that hadn’t been used up.

Yarn Collage
Just a fraction of the yarn from my stash

One Fall when I was on sabbatical I took to photographing and cataloguing all of my yarn—at least the small portion of it that remained after I donated most of it to charity—about 75%. But don’t let that fool you, I’ve still got an immense supply which grows every time I go to a knitting event—much faster, I might add, than I can possibly knit it with a very busy full time job that never seems to end at the end of the day.

To second the Ravelry post on January 6th by MaryHeatherB “Tip: 3 Things to do on Ravelry in the New Year”, Tip #1 is to catalogue your yarn on Ravelry. I highly recommend that you go through the exercise. Now I tend to shop at home because I know what I have and in what quantities. And now that you can “slurp” in photos you won’t have the added hassle I had in photographing 200 yarns.

I’ve been knitting things for the women members of my team and trying to pick up a few new skills along the way leveraging free patterns on Ravelry. One didn’t go so well. I attempted to give Aran Cabled Shrug in Kaya Wool by Crystal Palace Yarns a more modern look by switching the ribbing to garter and adding increases to compensate for the lack of give. I love how it came out, but feel it is a bit too misshapen to give away—not to mention way too small for its intended receiver. I’m still trying to work out a closure for it that helps hide the underarm “bump”.

Next I turned to a different project that I ended up falling in love with—a Bias Scarf by Shelby Dyas. It came out so pretty (and heavy) that it hard to part with. I bought some Lion Brand Homeland in Bryce Canyon and paired it with an unidentifiable yarn in my grandma’s stash—a slick, nylon, ribbon yarn in burgundy by Malibu Mark which reminds me a lot of Anne Blatt’s Antique.

That’s when I got the idea to make a shrug from the pattern—a square you can wear. If it were wider it would be perfect and I knew of just the yarn to pair up with a bit more ribbon yarn—but this time of KNOWN origin, Lane Borgosesia Diamante in a variegated black-taupe-white and/or solid black. On the hunt I went and I came up empty. I searched by stash and it was not to be found. Where was it? I sold it!  And no doubt now these two beauties are probably knitted up, possibly together, in some gorgeous creation.

And there was this VERY old Berroco Glace variegated cotton-blend ribbon yarn which barely deviated from white in the palest of pinks and blue. I was purusing Ravelry, as I often do on weekends, and found a great summer top to use it up with, feeling so proud to be shopping in my stash. Firstly, I couldn’t find it in my stash, but I was certain I still had it so I went to my storage rack… Gone! Well, it wasn’t my color, I rationalized. Er, um. *sigh*

I’m happy to have them get used and there was no telling when I would have used them, so it’s for the best, of that I’m certain. What it did get me to do was “rethink” my trade or sale portion of my stash on Ravelry.

Copyright, Creativity and Crafting

The song Donna Summer song “She Works Hard for the Money” is rolling around as I write this post. And work hard I do. And in spite of this, I’ve mentioned I wanted to start selling my extra produce at the local resort. Well, they’ve put me off just long enough that I’ve gotten the message—not interested. They are nice people, they just to keep things neighborly. So rather than say “No”. It’s always, “We’ll get back to you.” Only they never do. So I’m looking for a new outlet.

Happily, many of the samples I knit up fell into the hands of my family members for Christmas, saving me a huge amount of time shopping and bringing lots of joy. The other reason I didn’t sell them was that I noticed (and wrote about) that some of the items had the stipulation that they “cannot be used for commercial use”. I assumed this referred to the knitted garment, but a person posted on that blog I should read up on it because that was not the case citing US copyright law.

I didn’t have time to check it out at the time, but this weekend I decided to research and found out—they are quite correct. According to US copyright law, this stipulation cannot apply to “useful articles” produced following a recipe or pattern. The UK (of course!) has a similar rule specific to knitting and croquet items.

You certainly don’t have to take my word for it–after all, I may have many advanced degrees, but I’m no lawyer. So here’s where you can read up on it yourself:

You might also find a couple of articles helpful to parse the legalese. I really appreciated Jason M. Krellenstein’s brief description in his “Ask a Lawyer” column in Vogue Knitting Spring/Summer 2012 issue. To summarize: any statement about “no commercial use” in a pattern has no legal precedent and is unenforceable on knitted items. This article, from 2014 in “Plagiarism Today”, spells out in understandable detail why socks, hats and sweaters fall under “useful objects” and can therefore, not be restricted by a designer.

The bottom line: A designer cannot, as of this writing, legally enforce a “no commercial use” clause in the UK commonwealth (Canada, Australia, South Africa, India, etc.) or in the United States on articles generated by following the pattern.

In retrospect this makes sense. The pattern and all the hard work that went into creating it belongs to the designer—and they should profit from the sale of that pattern. For produced item based on that pattern, a knitter’s cost of materials, time and effort, modifications/customizations belong to the knitter–full stop. Effectively, the knitter may not be restricted from earning a profit on their labor, clause or no clause.

This said, while you (and I) can sell these items (until there is a legal decision to the contrary), be mindful of what the copyright protects–the pattern itself. The law is very clear that this intellectual property belongs to the designer.

A pattern should not be resold or given away, in whole or in part.  A pattern must be purchased and it should not be shared, unless the designer gives you permission. You also cannot reproduce or publish it without express permission. Speaking from personal experience with my own *very simple* designs, designers work hard for the money.